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The Stolen Girl: A Gripping Historical Fiction Novel (The Veil and the Crown) - Perfect for Book Clubs & Historical Fiction Lovers
The Stolen Girl: A Gripping Historical Fiction Novel (The Veil and the Crown) - Perfect for Book Clubs & Historical Fiction Lovers

The Stolen Girl: A Gripping Historical Fiction Novel (The Veil and the Crown) - Perfect for Book Clubs & Historical Fiction Lovers

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Description

The legend of Aimée Dubucq de Rivery, has survived on three continents for more than two hundred years. The Stolen Girl tells the first part of her extraordinary story, her adolescence on the Caribbean island of Martinique, and her voyage to Paris where her hopes of finding a husband are shattered. Resigned to live as an old maid at the ripe age of eighteen, she decides to become a nun and sets sail to visit her relatives on Martinique one last time. On the journey, she meets and falls in love with a dashing young Scotsman. But fate had other plans for Aimée, ones that were foretold by an African Obeah woman when she was fourteen years old and the prophecy comes true when she is abducted by Algerian pirates and given to the Sultan of the Ottoman Empire as a "gift girl".

Reviews

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- Verified Buyer
I knew some things about each of these, but did not know of this particular historical connection. Aimee Dubucq de Rivery, the heroine of this part of Wesley’s series, is one connection, and a very interesting one. At the outset of the historical novel, I thought that adventurous, impetuous Rose was the likely protagonist, not Aimee. However, Aimee turned out to be very complex in her innocence, her practicality, her sensuality, and her will to meet her destiny. Wesley’s use of the Irish Pythoness Euphemia David to prophesy the fate of the two teenagers ties the seemingly improbable events of Aimee’s early life together, but when we read the Author’s Note, we encounter Wesley’s assertion that the prophecy was historical fact. Brief research supports Zia Wesley’s assertions about Rose, but the connection of Aimee to the Sultan and Ottoman Empire rests only on legend. However, this is a novel, not an attempt to claim historical fact. As a novel, we find clearly conceived characters, a historically based plot, wonderful descriptions of Aimee’s thoughts and feelings as well as the scenes in Martinique, Paris, and most impressively, the palaces, customs and personalities of Ottoman culture, are informative and expressive of how adaptable young Aimee might have been.